The Blog of Less Renown, celebrating under-appreciated unusual, unique, sick or strange Singers, Songwriters and Songs
Sunday, December 09, 2018
OBSCURE CHIPMUNK SONG COVER - Christmas Don’t Be Late - PAUL SHERMAN
Back in the 50's and early 60's, a mild form of piracy was the "cover song." Somebody has a hit, and some weasel, usually on an indie label, tries a sound-alike version to divert sales. "The Chipmunk Song" was such a smash hit, Paul Sherman covered it, even though it had to take time to mess around with the speeded-up vocals of his faux-chipmunks.
"The Chipmunk Song" was a masterpiece in a way; a novelty that captured the greed of snot-gargling high-pitched incomprehensible brats...but made it lovable and funny by turning them into cartoony chipmunks. The brats sing about how they can't wait to get their toys ("Me, I want a hooooola-hoooop") and one of them is too obnoxious to care if he's on key ("Alvin!")
In the original, the parental voice of "David Seville" was supplied by the song's actual creator, Ross Bagdasarian (Sherman's version doesn't quite spell his name correctly). Ross's previous novelty hits included the noxious "Come Onna My House" (creepily sung by Rosemary Clooney in dialect) and, just a half a year earlier, "Witch Doctor," where speeded-up vocals included an infectious nonsense-word chorus most people knew by heart "Ooo eeeh, oooh ah ah...ting tang walla walla bing bang..."
Paul Sherman? A fan of novelty songs, Paul was dubbed "The Clown Prince of Rock and Roll" when he DJ'd at WINS, along Murray The K and Stan Z. Burns. He joined the station in 1943, well before it became the hot spot on the dial for teen music fans. Born July 10, 1916 in Brooklyn, Paul, like most of the WINS crew, grew up a fan of Big Band music and hipster jazz. Murray the K called his show a "swingin' soiree," which was hardly a hip term his teen audience could relate to. When he was hanging with The Beatles, he was twice their age and wearing a pretty silly-looking hipster hat. When he first tried novelty singles, he chose to cover The Treniers' "Out the Bushes," with dated slang terms like "fan it" mixed in.
40-something Sherman, a graduate of Queens College, worked with Dickie Goodman on the 1958 novelty "Santa and the Satellite," released on the Luniverse label. It was clumsily credited as "A Buchanan and Goodman prod. with Paul Sherman." The same year, he went over to Baton, a small label run by Sol Rabinowitz, and created his "Chipmunk Song" cover. Baton was best known for R&B singles, having had a hit with its very first release, "A Thousand Stars" by The Rivileers. Rabinowitz had walked the song into the local black music station, WWRL, and managed to get DJ Tommy "Dr. Jive" Smalls to play it.
No such luck happened with Paul Sherman's single, which wasn't fast enough to exploit The Chipmunks' success. "The Chipmunk Song" arrived in November of 1958 and climbed to the top of the charts by Christmas. The album “Let’s All Sing with the Chipmunks” was quickly recorded in December of 1958 and included “Alvin’s Harmonica” which was released in February of 1959, as the follow-up single. It nearly reached #1 as well, landing at #3. Paul's single, "The Chipmunk Song" b/w "Alvin's Harmonica," probably came...and went...around February or March.
Paul didn't become a WINS dj with clout until around 1962, when he replaced Bob Lewis as a weekend music spinner. It doesn't seem that he tried to push another novelty song even when he had more power. Murray the K, by comparison, dubbed himself "The Lone Twister" and played his own record (also called "The Lone Twister" and released by Atlantic) without telling listeners it was him.
In 1965, WINS was sold to Westinghouse Broadcasting, and one day the music died. The beloved rock and roll station ceded to Cousin Brucie's WABC, and to the WMCA "Good Guys," and became "all news." Some fans couldn't believe it. WHO would keep the dial on a news channel all day? People did. People also turned it on periodically for the weather, sports or traffic info. The need for such a station was almost immediately justified by the notorious New York City blackout in November. Transistor radios were all tuned to all-news WINS. Paul Sherman had been retained by the station, and easily transitioned into his new job. In fact, Paul became part of the news in 1974 when Joey Gallo (yes, immortalized via a Bob Dylan song) was shot. The killer wanted to surrender, and avoid being "accidentally" gunned down by police. His lawyer called on...Paul Sherman at WINS for help.
Sherman retired after 38 years at WINS, and like a good New Yorker, moved to Florida. He died two years later, at the age of 66.
Today, few kids "want a plane that loops the loop" or a hula hoop. They'd rather have a drone and some drugs. Still, around this time of year, "The Chipmunk Song" returns as a nostalgia item. The speeded-up vocals still mimic the high-pitched, snot-nosed whining of actual children. Yes, kids STILL are incomprehensible at that age. Some things never change.
PAUL SHERMAN'S VERSION of THE CHIPMUNK SONG - instant download, listen on line. No hidden links to creepy re-direct websites. No Paypal donation requests. No egocentric passwords.
*sigh* Being obsessive, I have to know. Pictured is what appears to be a record label. But there's no spindle hole. What is it?
ReplyDeleteYes, it's the record label...it was a 78rpm single. I tossed the chipmunks over the spindle hole.
ReplyDeletePaul Sherman was known as the "Crown Prince of Rock & Roll". Not "clown".
ReplyDelete