CITY BOY lost album "IT'S PERSONAL"

How City Boy failed to get the fame it deserved...is still a question fans of the band can't answer. Maybe the very name was a handicap, since it was rather bland (and not even in tough plural). The group arrived in 1976 with a first album brimming the wicked harmony and challenging lyrics ("Deadly Delicious" on both counts, with Lol Mason unafraid to admit that he wasn't sure what the hell a woman being "sharper than a telephone" really meant).

After three promising albums all loaded with eccentricity ("Oddball Dance," "Man Who Ate his Car," "Bordello Night," "Dinner at the Ritz') the boys from Birmingham got serious with a one-hit-wonder single "5.7.0.5" (commercial lyrics replacing the original "Turn on to Jesus" lines). Their new album "Book Early" was titled as if they were finally firmly on their way to international success. Their two follow-up albums had titles that seriously distanced themselves from their whimsical power-pop image: "The Day The Earth Caught Fire" and "Heads are Rolling." How whimsical had they been previously? Lol and Steve used to do a Rockette set of high leg kicks during "Dinner at the Ritz."

Despite polished production by Robert John "Mutt" Lange, and the fierce guitar of Mike Slamer balancing the Michael J. Fox-like prettiness of lead singer Steve Broughton (whose cuteness was offset by the band's other lead vocalist, bulky and bearded Lol Mason), City Boy just kept "Moving in Circles" (to quote a song title). It was quite a mixed up irony that their lone hit single was voiced by neither lead vocalist, but drummer Roy Ward (though on some TV appearances it was Broughton lip-synching!)
Broughton departed the band not long after. Their "lucky seventh" album was gut-checked with the title "It's Personal," to further counter their rep as a band more along the harmonic and theatrical sensibilities of Queen. It didn't get a UK or USA release, trickling out briefly via an obscure label in Scandanavia.One might expect a debacle, but your download proves (if you own the others) that this was (with the exception of the annoying "Guerra de Mondo") quality work. Mason wrote the lyrics, and the music was from either Slamer, or keyboard player Max Thomas. It's power pop with intelligence, sophistication and some punch. In fact a little extra punch was supplied by Ian Dury's sax man, wild Davey Payne on several tracks.

Lol Mason went on to form Maisonettes, and had the distinction of having a one-hit-wonder with that group, too, "Heartbreak Avenue." The heart of City Boy, Broughton and Mason, have been sorely missed ever since. Certainly here, where both Steve and Lol are fondly remembered as really nice guys to spend some time with.

Ask any fan of City Boy why they love this band so much, and they'll start to give you a lot of reasons but...some of the chords they struck were deep enough to make two words all that matter: "It's personal."
IT'S PERSONAL rip from the LP
Updates: Nov, 2011, the Rapidshare link lapsed, so it's been re-upped via Box instead. Since the album was first posted, the album finally had a CD pressing. So if you'd like a higher bit-rate than the average 198-200 here, and want to support indie re-issue labels in their divine futility, grab the CD. On most of the usual suspect websites, like Amazon, it's selling pretty cheap.