DIANA RIGG
It seems that so many of the greatest and most memorable plays could not be confined to two acts. They require three, and just when it seems that things can't get any more sublime, the "third act" arrives and then everyone leaves. excited, wanting more. But there's a limit.
Diana Rigg, was long acknowledged one of the greats. She had an extended third act, an unusual "hat trick," in coming up with yet another "cult" character to bring her not just critical acclaim, but the amusing bustle and excitement of fan frenzy.
Yes, she was Mrs. Peel on "The Avengers." And then became, wowie zowie, the only woman to marry James Bond, and ultimately, defying or embracing old age (your choice) she became a heroine to a new generation of ga-ga's thanks to "Game of Thrones."
As far as Diana's fans were concerned, the real ones, Rigg had already stamped out an uncompromising career with a resume that included Shakespeare, experimental productions (for which she might get a surprisingly unkind review or two), those so-called "Masterpiece Theatre" TV shows involving cozy mysteries, and the occasional return to pop culture via "Theatre of Blood," for example.
There didn't seem to be anything Diana Rigg couldn't do, and yes, that includes singing, "Could I Leave You" is from Sondheim's London production of "Follies," 1987, and is typical of Stephen's work; it seems like it was written for anyone to sing in a true and natural voice, something that mostly relies on drama more than pipes, but ultimately, a piece that does require a lot of talent.
I've had the good fortune to have had brief but memorable moments with Sondheim and with Diana Rigg, though not revolving around "Follies" 1987. I think I met Diana around that time, though. We talked about her upcoming Broadway work, not, of course, THE TV SHOW. I don't think I even dared bring up "Theatre of Blood," even though it featured Vinnie Price, a man we both admired so much.
For me, meeting Diana was a satisfying moment that seemed to answer the "what is she really like" question. What you saw is what you probably got, if you were polite and well-mannered. I think she'd have given a sigh and put up with a few moments of "Lucy" behavior from a fan who saw her by surprise and couldn't stop gasping and stuttering. I had a few little questions regarding a piece I was doing that she was in, and she had a few minutes to spare, so all went well.
I have a feeling she was generally that way -- certainly a commanding presence, a class act, and a person whose time wasn't to be wasted, but someone polite and often surprisingly reasonable. I friend went to see her at BOTH the matinee and evening performances of a show, and left a card at the box office for her, inquiring if it was possible to meet and get a copy of "No Turn Unstoned" autographed. Surprise surprise, Diana's manager actually called up, and said it would be ok at such-and-such time (an hour or so before curtain on the second show). Diana was pleasant, offered up a bit of small talk, and it was a wonderful little five minutes.
Sondheim autographed by CD of "Sweeney Todd" a few years later. I mentioned that I had been a "follower" of Sweeney's dark humor ever since I heard Derek Lamb perform a Music Hall version of the demon barber's exploits on a Folkways album.
"Could I Leave You?" Yes. Forget you? Not.
